Rachel Harrison: Consider the Lobster
The Center for Curatorial Studies, Bard College
June 27—December 30, 2009
And Other Essays
The Center for Curatorial Studies, Bard College
June 27—December 30, 2009
Bivouac
Vox Populi, Philadelphia
March 6—April 26, 2009
Entr'acte
The Center for Curatorial Studies, Bard College
March 8—April 5
Degrees of Remove: Landscape and Affect
SculptureCenter, Long Island City
September 7—November 30, 2008
Degrees of Remove: Film Series
Anthology Film Archives, New York
November 2008
Selections from The Greenroom
The New School, New York
May 27—May28, 2008
Rules of the Game
Park Avenue Armory, NY
February 21—25, 2007
Nocturnes
Boise Art Museum, Boise
August 25—October 21, 2007
Marie Jager: The Purple Cloud
Henry Art Gallery, Seattle
May 8—June 21, 2007
Jenny Perlin: Possible Models
Henry Art Gallery, Seattle
November 12—December 31, 2006
Steve Roden: day ring, night ring
Henry Art Gallery, Seattle
August—November 12, 2006
In Resonance
August—Sptember, 2005
Sublime Frequencies Showcase
Henry Art Gallery, Seattle
April 19, 2007
Our Land Is Our Land
Guest artist Ronnie Bass
Henry Art Gallery, Seattle
February 15, 2007
It's a matter of the stomach. Stomachs are very sensitive
Guest Artist Walid Raad
Northwest Film Forum, Seattle
January 24, 2007
The Purple Cloud and Other Stories
Guest artist Marie Jager
Northwest Film Forum, Seattle
May 23, 2007
Bar Talk: Red 76's Sam Gould & Climax Golden Twins
Rendezvous Jewlbox Theater, Seattle
February 7, 2007
Breathe In, Breathe Out
Guest artist Jenny Perlin
Henry Art Gallery, Seattle
November 9, 2006
Henry Art Gallery's University Art Institute
Henry Art Gallery, Seattle
2007-2008
Rules of the GamePark Avenue Armory, New York |
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Carolee Schneemann, still from Meat Joy, 1964, 16 mm film, 6 minutes, color, sound |
Rules of the Game brings together five early works from EAI that rely to varying degrees upon a score-based approach. The artists included in the program abandon the rigid flow of a traditional script in favor of instructions and improvisational performances from participants. Deceptively simple at first glance, gesture repeatedly acts as a catalyst for both critique and experimentation within prescribed boundaries. While Lynda Benglis and Carolee Schneemann reveal their authorial hand—intoning explicit and disruptive instructions—Joan Jonas and Dennis Oppenheim pursue more ambiguous and enigmatic strategies to capture drawings in space. Each, however, elevates the immediate physicality of play as a form of release and renewal. Lynda Benglis, Now, 1973, 12 min, color, sound |